“Too Good to Waste” 2016, 28″x28″
Boro cloth is traditional Japanese fabric, much mended, repaired, and reinforced to prolong its life through decades of use. Boro comes from the Japanese term boroboro meaning something tattered, but also means “too good.” Boro cloth is now very valuable and highly sought after as both antique textiles and collectible art.
I made this piece in response to reading the theme of the exhibit. The literal thin place in textiles, repaired with boro to make them whole again. And to use that to make a quilt…
As a quilter, my piece “Too Good to Waste” also reflects on the location and neighbourhood of St. James’. As an outsider looking in to the neighbourhood it is easy to be dismissive of the people and their myriad of problems; but every person is unique and worth the effort of aiding or comforting them. The people are worth the effort, they are too good to waste.
Materials used: denim, ubiquitous and long lasting. The colour is a nod to traditional indigo of Japan. Sashiko thread from Japan. Tartan backing is for Scottish (Anglo) settlers to the neighbourhood and reminiscent of sleeping bags used by homeless people.
For more info: Heart of the City Festival…St.James’ Anglican…Downtown Eastside
Thank you for this post. As you point out, people are boroboro, a very good word and an excellent use of it.
Neame
LikeLike
Your quilt is a perfect fit for the theme of the show, and your stitching is so beautiful. Thank you for sharing the meaning behind it and for the links to the exhibition.
LikeLike
That is a brilliant interpretation of the theme! Great work!
LikeLike
Great finish and so true. It’s so pretty – I’d love if you’d link to my Finished or Not Friday Linky Party at Busy Hands Quilts each week!
LikeLike